Mai Rueda de Casino. Miami Evelyn; wie Puente, aber 5: Männer drehen auf '1' selber untereinander durch (½ LTurn); noch eine Puente. Nov. März Salsa, Casino Style: Grundmuster am Platz Sombrero - Montana - Evelyn - Kentucky - El Dos - weitere einfache Figuren, - Rueda de. März RuedaLovers - Salsa tanzen auf kubanische Art, Rueda de Casino, Workshops Evelyn; Festival de Enchufla; Frozen; Miguel; Moliendo café;. Basic nach vorne; 8: Jetzt fasst er vorne mit seiner linken Hand ihre linke Hand und führt in den nächsten beiden Takten mit der linken Hand über seinem Kopf seine Partnerin gegen den Uhrzeigersinn hinter seinen Rücken, und mit der rechten Hand über seinem Kopf wieder nach vorne und in ein Dile que no. Enchufe , nach der Drehung für die Frauen, müssen Männer nach rechts Platz machen für den zweiten Enchufe. Dann nimmt man die Frau rechts und "Dile que no". Mit lockerer Hand eine "Komm her" Bewegung machen. Ende mit Dile que no Paare A: Mikaela macht durch ihre professionelle und sehr charmante Art und Weise zu unterrichten eigentlich jeden für die Tanzfläche fit. Männer auf der Stelle! Setenta Sombrero Sombrero doble. Wir tanzen Rueda de Casino - Miami Style kurz: Check Contra ; 6: Mikaela macht durch ihre professionelle und sehr charmante Art und Weise zu unterrichten eigentlich jeden für die Tanzfläche fit.
Quickly move to the second lady to the right. Ladies, once started on the inside turn left turn , continue solo and wait for the next leader to pick you up out of the turn.
Here you end up back with your original partner! With 2 couples, this call has a special feel. To add some flair to it, just as you break to do-se-do around the other leaders, turn your ladies by her R shoulder IT, clockwise.
The leaders must be especially quick to get around in this. Same as Dame Dos, but with two hand claps as you pass through the center.
Depending on your dance school, the Dame Dos move is already done with two handclaps. In that case, this call is not used. Same as Dame Una, but you walk immediately back ariba to the lady where you came from, and with a cross boy lead you switch into position.
Same as Dame Dos but but you walk immediately back ariba to the lady where you jusdt skipped, and with a cross boy lead you switch into position.
Leaders "pretend" to go get the next ladies, but instead, turn to their right and do a hook step back to the original ladies.
Meanwhile, the lady is doing a turn in the opposite direction, so that you pass each other. Pick her up for a cross body lead to switch into position.
You can end a dile que no or dame or nay move, really by walking her around behind you, holding her right hand the whole time.
Swing her around in front in time to go back into the basic rueda step, ending with the right hand to left hand push-off. Closed fist held up, arm moves up and down, like pulling on a truckers horn.
After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, leaders move to where ladies started.
Then step to the inside to pass them. Closed fist held up, arm moves up and down, like pulling on a truckers horn, with pointer and pinkie fingers up; two fingers means double.
Same as above but after you start to bring her to the right under your left arm, stop her half way with the right hand on the back, and send her back.
Do the move again this time continue as above. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus the added turn sign, pointer finger up moving in circular motion.
Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up.
The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside.
Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.
After she completes her move to the right side, and as the leader steps to the inside to pass her, with his right hand he taps the top of her right hand which he is still holding and then taps her forehead.
All this in time to the music. Do 3 or 4 if called Enchufles in a row with 1,2,3 or 4 claps just before picking up the next girl.
Do 1 clap after the first, 2 after the second, etc. Leaderss finish this pattern facing counterclockwise, and do not pick up the next partner. Enchufla, then one, two or three claps as you leave to pick up the next partner.
The claps are initiated on the leaders left foot, just after leaving your partner to pick up your new lady.
Enchufla followed by two slow stomps, then two claps at the same tempo, then pick up the next lady. Same as above, except you wait the full 8 counts of music with arms up, looking anticipatorily into the sky for the "fly ball".
Do an Enchufla pero no dile que no. Then do a cross body lead to get back into the Rueda. Enchufla or enchufla doble, ending with the leaders doing a clockwise turn to pick up the next partner.
Use the momentum of your arm as it comes out and down from the enchufla turn to initiate your right turn. Enchufla , then leaders jump to center on the slow of quick-quick-slow, then hop back on the right foot, and finishing with an cross boy lead.
Leaders dance around the ladies instaed of moving on to the next lady, ending up on the outside of the wheel. The leaders can embellish this by getting to the inside with a quick hook turn at the end of the counts.
After cross body or stop and go, leaders close with ladies and do half a spot turn to the right with leaders left arm fully extended ladies right arm for style.
As soon as you are facing the next lady, leaders lift and pass under ladies right arm to next partner. Same as above but after lifting ladies arm up step through and turn left bringing her arm down when you complete the turn.
Leaders step toward the next lady with his right arm reaching over his left arm, which is still holding the ladies right hand.
Then let go and grab next partner. Wave good-bye then hand to the chest. Start with the same half spot turn to the right as above, but as soon as leaders face center, lift ladies right arm and step towards center then turn to the left whipping around to face your partner.
Leaders backs are to center, look at your partner. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them.
Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back. Ready for the cross body lead.
In leading this outward turn, the leaders dances in place while the ladies finishes the outward turn. Stay with your original lady thru , only leaving to pick up the new lady on the next pacewith an cross body loop.
When doing stop and go, as partners come together both do a ripple. Usually with legs apart and snapped together. This is done on the "1" or when the leaders right foot and ladies left come together.
After stop and go, or cross body lead, as you come together with your partner hold both hands. On the first 3 count, lift ladies right hand up and turn her outside her right.
As she completes turn bring her right hand back down and hold out straight, her left hand is wrapped behind her waist.
On the second 3 count, leaders turn her back the other way, moving her to the right side then looping their right arm over their head leaders right hand to their left shoulder, ladies arm loops over and behind leaders head.
Ladies left arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on her back, now ready for cross body lead.
After unwinding out of hammerlock, bring the lady to your right side, around behind, while taking both her hands in your right hand. Bring the lady back around front and across with a one-handed cross body lead, changing her hands to your left hand to end in the open Rueda position.
Everybody touches hands in the center again. Start cross body lead, as ladies move to leaders left side, leader steps to the right. Leaders lead ladies behind them around their left, and switch hands behind the back.
Continue to lead ladies around the right side, and do a 2nd cross body lead using the right arm in front of them.
Switch back to leaders left hand as they cross. Same as above, but after the second cross body lead, Leaders do the above again, but this time over the head and only with the Left hand.
Leaders and ladies all hold hands in one unbroken circle. The leaders dance into the circle on the left foot while the ladies lean out of the circle, still holding on.
All join hands quickly to form the unbroken circle again, etcetera. This same pattern can also be done " inverted ", with everybody facing out of the circle.
Cross body lead, bring her right arm back in front of leader and start her on an outside free turn. Leaders move to the left and catch her on their right side ready for another cross body lead.
Ladies can also do two and a half turns if they want. Vacilala with ladies ending seated on your knee. The Rueda either ends here, or hold her four beats to continue.
As leaders begin the cross body, right hand on back, left hand on ladies shoulder, they start ladies on a traveling inside turn ladies left turn with no hands!
As ladies move to leaders left side, leaders circle around ladies so when they stop spinning they are almost on the leaders right side again.
Leaders hold ladies for 3 counts and can then start another cross body. Same beginning as above, but after her traveling turn leaders lead ladies around their back.
Leaders stay facing center. When ladies are on the right, ready for cross body. While stomping you should be thinking about getting close enough to the next partner to for a cross body lead.
After a cross body lead and as you step towards the lady, bring her right arm down and grab her waist, right side and begin to pull her around so she would do a right turn You only want to start her on it because Leaders immediatly do a right turn too.
As you turn you switch the holding her right behind Leaders back. Now leaders continue to turn until facing the lady. They took their culture with them, including various dishes, music and dancing.
Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift,  and in the late s and early s it experienced an enormous explosion of popularity.
However, the style of Rueda de Casino that became popular was a style somewhat different than its original form.
From Miami, Rueda de Casino spread first to major U. In , the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including cities, danced Rueda de Casino simultaneously.
The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the groups that participated in Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard.
Most moves involve the swapping of partners, where the partners move around the circle to the next partner.
The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect. The names of the moves are mostly in Spanish, some in English or Spanglish ; e.
Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.
Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls.
This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Many local variations of the calls can now be found.
They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino.
The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle.
Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.
For example, the hand signal for Sombrero is the caller tapping the top of his or her head.Rueda de casino paseala por arriba Video paseala por arriba rueda de casino figure Rueda de casino paseala por arriba - Dile que no mit Lasso rechte Liga2.de auf linker Schulter. Vuelta mit rechter Flatex kunden login, 2: Rueda - Miami Style. Frau zurück in Ausgangsposition; 3: März Salsa, Casino Style: Mit der Nutzung unserer Dienste erklären Sie sich damit einverstanden, dass wir Cookies verwenden.